Thursday, March 17, 2016

Pharoah Paddy? Saint O'Sirus?


When I first saw this piece of sheet music on eBay, I was mildly amused. I collected sheet music, once upon a time. To say I'm interested in Egypt is an understatement. Ireland is one of my favorite countries, and the only one besides Egypt that I've visited twice. Sometimes I can be a little obsessive about the things I like, so forgive me if I thought one of my tech savvy friends was playing a joke on me by making this sheet music come up in my eBay recommendations.

Then, I started getting hits in other feeds about the Irish-Egyptian connection. Was there something behind the whimsy?

Much to my surprise, several Irish legends connect the Irish to Egyptians, but they've have been impossible to prove so far. Not for lack of trying, which has included DNA testing.There are two stories that seem to come up repeatedly.

The most famous story is of Queen Scota, an Egyptian princess or queen, depending on which version of the legend you read. She may or may not (depending on the version) have been Akhenaten's daughter.  After being exiled from Egypt, she arrived in Ireland and was killed by the Tuatha De Danann (fairies) in a great battle. Her supposed grave is marked by a giant inscribed stone in County Kerry. Its importance has led to local politicians calling for its preservation.

Another intriguing story centers around the discovery of the skeleton of a 15-year-old boy at The Mound of the Hostages, near Tara, by Dr. Sean O Riordan of Trinity College in 1955. Carbon dating showed that the remains were roughly 3,800 years old. A necklace found with the skeleton was made of faience beads. The faience beads were similar to those found in the tomb of Tutankhamun, who was Meriaten’s (Scota’s) famous brother. The necklace was carbon-dated to 1350 BC, which was during the reign of their father Akhenaten.

In the middle of the 20th century, a shipwrecked boat was excavated in Northern England and it was found to have a design very similar to those used by the Egyptians. It was carbon-dated to 1400-1350 BC.

After reading many articles, I am not qualified to say whether or not the legends are true. But wouldn't it be nice to know the god Set's  red hair still lived on in the Irish? Or wouldn't it make for an interesting novel. Hmmm. Must consider that one.

For your edification, here are a few of the articles I read:
The Egyptian Origin of The Irish People
Thoth’s Storm: New Evidence for Ancient Egyptians in Ireland? 
Ireland's Cleopatra
An Irishman's Home Is His Pyramid?

Monday, March 14, 2016

Ancient Egypt this week: Tut-a-RAma


Is Queen Nefertiti hiding in a chamber behind King Tutankhamun’s tomb?

IN the walls of the tomb where King Tutankhamun was discovered is, according to experts, the “greatest antiquities discovery of all time”. There’s just one problem — getting to it is almost impossible.
Experts in recent months made a discovery they say will change history. Using detailed scans for the first time, they watched temperatures change in different parts of the tomb, deep inside the Valley of the Kings. They say concealed in the walls are two sealed doors. Behind them could be Queen Nefertiti’s tomb and riches the likes of which the world has never seen.
Michael Usher and the 60 Minutes crew flew to Egypt and saw for themselves what the greatest minds on the topic say is a game-changer.

Enigma of the Heartless Pharaoh: Who Stole the Heart of King Tut, and Why?

The tomb of Tutankhamun revealed a wealth of anomalies, beginning with its discovery in 1922, right through the subsequent years of its excavation. The plethora of mysteries that surround the boy king's mummification and royal burial have endured for nearly a century, from the time they were first noted by the assiduous archaeologist, Howard Carter.

Lenore loves this King Tut tomb!

On Nov. 26, 1922, Howard Carter took out the little chisel his grandmother had given him on his 17th birthday when he, an English lad, was already obsessed by ancient Egypt. Now pushing 50, a middle-aged archeologist who had seemed promising, then washed up, then possibly promising again, Carter was standing in a hole in Egypt’s Valley of the Kings, sweating.

778 Ancient Egyptian artefacts from Luxor to bolster Grand Museum in Giza

A collection of 778 ancient Egyptian artefacts is set to arrive tomorrow from Luxor to the Grand Egyptian Museum, which is set to open in 2018

GEM general supervisor Tarek Tawfik told Ahram Online that the objects to be delivered to the museum were previously stored in Ali Hassan and Abul-Goud's archaeological galleries in Luxor, as well as in archaeological storehouses in Esna.

Cleveland Museum of Art's "Pharaoh: King of Ancient Egypt

CLEVELAND, Ohio – It has taken two years to organize "Pharaoh: King of Ancient Egypt," a major loan exhibition of ancient masterpieces from the British Museum in London that opens Sunday at the Cleveland Museum of Art as part of the museum's 2016 centennial.







Monday, March 7, 2016

Ancient Egypt this week: The new archaeologists play like Egyptians



Armchair archaeologists reveal details of life in ancient Egypt

Online volunteers uncover shopping lists, hangover cures and a match-fixing agreement among Oxyrhynchus papyri fragments.

People around the world are helping to transcribe more than a half-million ancient documents from the comfort of their sitting rooms, thanks to a major crowd-sourcing project that is revolutionising our understanding of life in Greco-Roman Egypt and how scholars sift through vast quantities of archaeological material. The Ancient Lives project, a collaboration between the University of Oxford, the Egypt Exploration Society, the Citizen Science Alliance and others, asks its 250,000-strong group of online volunteers to review digital scans of papyri fragments from Oxyrhynchus in Upper Egypt.

3D virtual reality headsets used to 'dive down burial shafts' of Egypt's ancient Giza pyramids

Students and archaeologists at Harvard are using the latest technology to stroll around the Giza pyramids – without actually being there. Researchers at the Ivy League college have used photographs, maps and aerial surveys of the site from material collected from museums around the world to recreate what inside Egypt's Great Pyramids looked like 4,000 years ago.

Play like an Egyptian



Egyptian 'Seven Sacred Oils' relief recovered from Switzerland

The ancient Egyptian relief had been stolen and smuggled out of Egypt in the aftermath of the 2011 revolution. Egypt’s embassy in Bern, Switzerland received the ancient Egyptian Seven Sacred Oils relief within the framework of a bilateral agreement between Switzerland and Egypt prohibiting illegally importing and exporting antiquities, Minister of Antiquities Mamdouh Eldamaty announced.

King Tut fans flock to Putnam

For more than half his life, 5-year-old Sequoyah Roesner has been transfixed by all things Egyptian.

On Sunday, along with hundreds of other people in the Putnam Museum, Davenport, Sequoyah marveled at a replica of the sarcophagus of the king whose very name recalls the mystery and glory of ancient Egypt.

Friday, March 4, 2016

Michalea's February Reads



How I Live Now - Meg Rosoff

Synopsis: Fifteen-year-old Daisy is sent from Manhattan to England to visit her aunt and cousins she’s never met: three boys near her age, and their little sister. Her aunt goes away on business soon after Daisy arrives. The next day bombs go off as London is attacked and occupied by an unnamed enemy.

As power fails, and systems fail, the farm becomes more isolated. Despite the war, it’s a kind of Eden, with no adults in charge and no rules, a place where Daisy’s uncanny bond with her cousins grows into something rare and extraordinary. But the war is everywhere, and Daisy and her cousins must lead each other into a world that is unknown in the scariest, most elemental way

My take: Confession. I am a die-hard dystopian, so it's no surprise I bought this book. Perhaps more of a surprise, it's been buried in the bowels of my Kindle for over a year. However, on a sleepless night, I organized my Kindle and found it again. So, as part of my new "read the backlog" before I buy any more books. . . yeah, let's see how long that lasts...I gave it a whirl.

Anyway, back to How I Live Now, our heroine Daisy may be anorexic, and she is definitely having underage, incestuous sex with one of her telepathic cousins. Combine this with TEOTWAKI, and this book should have kept me on the edge of my reading seat. However, I sadly think the reviewer who characterized the book by saying: I slept and then I woke up and then there was war and then I ate and then I slept some more was on to something.

 It's not that I don't appreciate sarcastic, neurotic teen narrators, after all I cut my reading teeth on Holden Caulfield.  But Daisy is about as compelling as listening to a teenager on her cellphone in Starbucks. The characters are flat, the incestuous sex is dull, and everyone shuffled through the apocalypse. Anyway, that's the way it felt when I gave up on the book about half-way through. I heard that the movie was better, and surprisingly it was. It had all the tension and character development the first half of the book lacked. So sad when that happens.

Brotherhood in Death - J.D. Robb aka Nora Roberts

Synopsis: Sometimes brotherhood can be another word for conspiracy. . . .

Dennis Mira just had two unpleasant surprises. First he learned that his cousin Edward was secretly meeting with a real estate agent about their late grandfather’s magnificent West Village brownstone, despite the promise they both made to keep it in the family. Then, when he went to the house to confront Edward about it, he got a blunt object to the back of the head.

My take: Let me be perfectly clear, I am an Eve Dallas/In Death fan girl. Yeah, I know, I throw away the right to complain about anything after saying that. My sister tells me, you read one of these books, and you've read them all. It's kind of true. The books follow a pretty predictable pattern and plot. A murder; Eve stands for the dead. Eve makes wisecracks and has sex with Roarke. Roarke buys Eve's team a lot of food and takes over the known universe. Eve has sex with Roarke. Peabody complains about the size of her ass, but comes through for the team. Eve has sex with Roarke. Did I mention they have REALLY good sex. Eve and Roarke take down the bad guy and have some more sex. Anyway, I think  you catch my drift.

Yet beyond all reasonable expectations, I troll Amazon wondering and waiting for the next In Death book. Damn that Nora Roberts. How does she do it?

17 Carnations: The Royals, the Nazis, and the Biggest Cover-Up in History

Synopsis:  Andrew Morton tells the story of the feckless Edward VIII, later Duke of Windsor, his American wife, Wallis Simpson, the bizarre wartime Nazi plot to make him a puppet king after the invasion of Britain, and the attempted cover-up by Churchill, General Eisenhower, and King George VI of the duke's relations with Hitler. From the alleged affair between Simpson and the German foreign minister to the discovery of top secret correspondence about the man dubbed "the traitor king" and the Nazi high command, this is a saga of intrigue, betrayal, and deception suffused with a heady aroma of sex and suspicion

My take: This was one of the great love stories of my childhood. The man who gave up the crown for the woman he loved. What could possibly be more romantic, right? Later, I heard the other sides of the story, and there were many. She didn't particularly love him, but what do you do when someone makes such a gesture. You can't just say, no thanks. She might have been a prostitute; he might have been impotent. There were other men, maybe for both of them. (The 17 carnations were sent to Wallis by von Ribbentrop, maybe one for each of the times they slept together.) There was the extravagances, the jewelry, the lives that were pretty ordinary at the end of the day, except for that whole crown business, and maybe some Nazi collaboration on the side. Near the end of the book, the author says this about the one-time royal heart throb, the golden prince of his day, the one about whom everyone knew these lyrics were written: I danced with a man who danced with a girl who danced with the Prince of Wales.
Gardening, gossip, golf, and pleasing his wife were the mainstays of his life. . . . If something was to be done about the world, it was not going to be by him, especially if it endangered his tax status. Money was his mantra and his motivation, his meanness legendary.
Yep, it all came down to this sad little picture:


I like my Schadenfreude in big healthy dollops, and this book didn't exactly give it to me.
The bulk of it covers what to do about the legendary Windsor files that the Nazis kept about the Duke and Duchess. What was covered up? Who covered it up? Why? Interesting at first when connections between what was in the files matched up to what was going on in the life of the Duke and Duchess. Somewhere mid-book, it became all about the political machinations around the files. George VI did this; the Nazis did that; Churchill did thus; Roosevelt and Eisenhower did something else; and, oh my god, a mind-numbing number of bit players did a whole lot more. There was a cover up in high places, and maybe it was because everybody loved and respected the Queen Mum.  At some point, I ceased to care.

Trust me, there are better books on the Windsors flirtation with Nazi party politics. For those looking for the Wallis and Edward version of Diana: Her True Story, this ain't it.

The Vegetarian: A Novel -  Han Kang

Synopsis:  A beautiful, unsettling novel about rebellion and taboo, violence and eroticism, and the twisting metamorphosis of a soul

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams—invasive images of blood and brutality—torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It’s a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home.

My take: As I was reading, I kept thinking this novel might be called Obsession: The Body. Obsession with what we put in our bodies. What we put on them. What we do with them. What others do to them. How we see them.  How we make art and life with them. It's verbally tactile.

Yes, it is darkly allegorical. Yes, it's how we try to break free and how we submit. Someone said it's not much of a story, and if you're looking for a series of event, this isn't it. It's a book to make you think about the choices you make.

Thursday, March 3, 2016

Gods of Egypt - I liked it


Let the hating begin, I liked it.

I giggled for sure, but I was never tempted to walk out as I was during Exodus: Gods and Kings. It didn't take itself seriously, so there were lots of in-jokes and snarky comments. By the time a villain was sliding off a Pyramid with an incredulous face, saying "Whaaaaaaaaaaaat," my movie companion and fellow Egyptology nerd were on the popcorn-strewn floor, trying to catch our breath. And it was a good thing. (Just so you know, she self-identifies as Set, and I self-identify as Thoth, which meant more good times as we saw our personality quirks on the big screen.)

Gods of Egypt is "loosely" based on The Contendings of Horus and Seth, which might be one of the silliest, most violent, least coherent set of stories among so many less than coherent Egyptian myths. While the movie didn't stay true to The Contendings (Osiris isn't Lord of the Dead; Isis doesn't get her head chopped off; and the infamous lettuce incident was only hinted at), I wonder if staying true might make an impossible to watch movie. Pryoas, like so many before him cherry-picked, and I didn't go to the movie to get a lesson in Ancient Egyptian mythology. Yet, in spite of that, the movie felt oddly true to the spirit of The Contendings with its preening Set, ambivalent Horus, and the shilly-shallying of the other gods. And OMG, it had the best rendering I've seen of Ra's sun boat.

Director Proyas seenmed to be paying homage to the late Ray Harryhausen with his special effects and over-the-top action sequences. There also seemed to be some sequences that gave a tip of the hat to Indiana Jones and Star Wars as well.

Speaking of the rendering and the special effects of the various gods, I thought Set, Ra, Thoth, and Anubis were rather brilliant. Horus was somewhat disappointing, and I can't put my finger on it.  Sadly, will we be able to look at a giant snake ever again without thinking of Dune? I think not.

So, if you're looking for a fun movie with lots of action that in the end is rather uplifting, Gods of Egypt is a good choice. If you're wondering, YES, I'll be buying a copy of it when it comes out on DVD (or rather, I'll be adding it to my Amazon film library.)

And if you don't believe me, ask my companion in crime, CE Robertson, who also wrote a review.

Since the negative reviews are so much easier to find than the positive ones, here are a few more for your perusal.

Gods of Egypt director calls film critics ‘deranged idiots’ after negative reviews and box-office flop

Gods of Egypt director Alex Proyas has posted a seething rant on Facebook branding film critics “deranged idiots”. Proyas’ fantasy epic flopped with a $14 million debut despite a budget of $140 million, making him far from flavour of the month with studio Lionsgate.

But the 52-year-old, best known for I, Robot and The Crow, insists that reviewers hate him no matter what he does because they “fail to understand or pretend to not understand what the movie is”.

In ‘Gods of Egypt,’ That Doughnut Beast Is Stepping on My Sandal

Bosomy damsels and brawny slabs; cheering digital crowds; a lachrymose sphinx; a bedazzled Geoffrey Rush; a galactic cruise ship; an Egyptian god played by the Dane Nikolaj Coster-Waldau; the sword-and-sandals enabler Gerard Butler; a smoky monster that from one angle looks like a fanged doughnut and from another an alarmingly enraged anus — “Gods of Egypt” attests that they do make them like they used to, or at least like the King of the Bs, Roger Corman, once did, except with far more money. If “Gods of Egypt” were any worse, it might be a masterpiece.

Gods of Egypt review: Imaginative mythological adventure epic evolves amid flaws

With Hollywood in the midst of a fantasy boom, it's baffling that gifted Australian director Alex Proyas (Dark City) hasn't found more regular employment. His first feature in seven years, Gods of Egypt, is an uneven but impressive fantasy epic, set in a mythical Ancient Egypt where gods and mortals live side by side (Proyas, himself, comes from a Greek-Egyptian background).

We wanted to dislike Gods of Egypt, but …

Gods of Egypt is impossible to hate, even though you probably should. This sword-and-sandal adventure (which is really a superhero film in disguise) is a thoroughly enjoyable visual feast, especially in 3D, thanks in no small part to its Australian cast.

Rare for a blockbuster action movie, it targets both genders. There are plenty of fights scenes — sword fights, magic and even battles in space — but at its heart it is a romance.

Who Are The 'Gods Of Egypt'? The New Movie Put Some Forgotten Deities Back Into The Spotlight

The new movie Gods of Egypt looks, for lack of a better word, insane. The trailers depict a flashy, CGI world full of crazy effects, intense dialogue, and enough drama to fill the Great Pyramid of Giza. Yet despite its clearly 2016-made craziness, the film actually draws the bulk of its characters from real Egyptian history. The gods in the movie were worshipped by the people of Ancient Egypt for centuries, but for the most part they're far less familiar to Western audiences than their Greek or Norse counterparts.

‘Gods of Egypt’ Clips: Praise to Elektra and Black Panther

Before Elodie Yung makes her debut as Elektra on Season 2 of Netflix’s Daredevil next month, we’ll see her in theaters as the ancient Egyptian goddess Hathor in the controversial but balls-to-the-wall crazy-looking Gods of Egypt. If you had any doubts the film would be even more over-the-top than Wrath of the Titans, here are a couple clips with proof.

Scottish action hero Gerard Butler lives out boyhood dream

If a fortune-teller had come to Gerard Butler at the start of his acting career and predicted he would end up wearing a leather skirt and brandishing a sword in some of the biggest films of his career, the star says his response would have been "Yes, please!"

His role as Spartan king Leonidas in 300 (2007) and 300: Rise Of An Empire (2014) - a historical fantasy set in ancient Greece - has given the 46-year-old Scottish performer a bit of a taste for swords-and- sandals movies.

Speaking to The Straits Times in Los Angeles, the Hollywood star reveals he has always had a soft spot for escapist fantasy flicks, which is why he was happy to revisit the genre in his new film Gods Of Egypt, where he plays the power-hungry Egyptian god Set.

Monday, February 29, 2016

Ancient Egypt this week: Art, Trash, & Egypt



This Scholar Says She's Unlocked The Secrets Of The Pyramid Texts

Susan Brind Morrow has developed a new translation of the world's oldest sacred texts.  For years, scholars thought that the Pyramid Texts were merely a series of funeral prayers and magic spells intended to protect Egyptian royalty in the afterlife. But renowned classicist and linguist Susan Brind Morrow has a different interpretation of this sacred literature. She said she believes it's proof of a complex religious philosophy, one that was less about mythology and more about the life-giving forces of nature. She also believes this ancient Egyptian philosophy influenced many of the spiritual traditions that came after it.

Pimp my coffin: Ancient Egyptian priest changed sarcophagus as his career progressed

New research for an exhibition opening today (23 February) at the Fitzwilliam Museum in Cambridge has scholars scratching their heads about the booming funerary industry in ancient Egypt. An examination of the sarcophagi of Nespawershefyt (also known as Nes-Amun) has revealed that significant changes were made to the owner’s titles, which suggests that he had his coffins made well in advance of his death and upd ated them as his career flourished.

Pyramids and Sphinxes

Explore the mysteries of ancient Egypt through art and examine the relationship between tourism, commerce & representation in the age of mass reproduction.

Artists, writers, and travelers decamped to Egypt for up close and personal encounters with the remains of an ancient civilization. They documented these experiences in art, story, and verse, ushering in a wave of curiosity about Biblical lands of the past. The British saw an opportunity to organize commerce and tourism, and began creating an infrastructure in Egypt to support these industries. Romantic images of the past were created an distributed en masse, as great stylists introduced a new wave of Romanticism to Western art. Images of the Near East came into vogue, as a sensuous, tropical vibe combined with the glorious ruins of the pharaohs.

Artists secretly 3D scan bust of Egyptian Queen Nefertiti and release 3D Print files online

he content of museums around the world are designed and curated to be vessels that share with local populations the wonders, beauty and history that surrounds us all. Art museums share with us the beauty of the human spirit whereas natural history museums bring to light elements birthed within nature itself.

Sometimes however, the extraction of an artifact from its original habitat to a foreign museum or gallery can lead to controversy. A good example of this is the iconic bust of the ancient Egyptian queen Nefertiti. After existing, for the most part, uninterrupted in Egypt since roughly 1345 BC, the prized sculpture was discovered and subsequently dealt to a German based archeological company in 1912 before leaving Egyptian soil for the Neues Museum in Berlin.

Since then, there has been enough controversy surrounding the validity of the transfer that TIME magazine has the bust at number two in their Top 10 Plundered Artifacts list.

Finds in Ancient Egyptian rubbish dumps inspire "world's largest archaeological project"

Touted as the world’s largest archaeological project, an online search for clues is crowd-sourcing the details of ancient lives in Egypt - from 19th century rubbish dumps.

Going through bins has perhaps never proved as productive as it did for Bernard Pyne Grenfell and Arthur Sturridge Hunt more than a century ago. Rooting through a rubbish dump near Oxyrhynchus (the name means “sharp-nosed”), in ancient Egypt, these light-suited, hirsute late-20s archaeologists litter-picked more than 500,000 papyrus fragments, initiating papyrology as a scientific form.

And speaking of trash. . . .

History programmes have to keep up with the Kardashians, Egyptologist claims

Egyptologist Dr Chris Naunton has said it is "vital" to see television programmes about history and archaeology alongside EastEnders and Keeping Up With The Kardashians.

Picture of the week

From RAWI - Egypt's Heritage Review
Ibis Mummy: Considered sacrosanct, the ibis was connected first with the god Thoth and later with the revered sage Imhotep. Mummified ibises found at cult sites dedicated to Thoth or Imhotep are usually understood as votives deposited by private persons either as offerings or as gestures of appreciation for answered prayers. This elaborately preserved ibis bears witness to the extremes to which the ancient embalmers could go in their preservation of an animal. The linen wrappings, some of which have been dyed, are wound in an intricate pattern, while the bronze head attached to the mummy shows exquisite workmanship.
Found in Abydos- 30 B.C.E.–early 1st century C.E.(Roman Period)
Brooklyn Museum, NY